Top 5 New Releases :: New Music Friday :: February 17, 2017

Top 5 New Releases :: New Music Friday :: February 17, 2017

It’s New Music Friday. Are you searching through the rain (if you are here in Southern California, at least), or through the endless record bins of the internet to find what the best of the new releases are today? To help on your new music search, here is this week’s Top 5 New Releases.

This week’s list has a few stellar albums among the Top 5, as well as two hard to miss singles. Get ready to crank up the volume, press play and indulge in some of the new tunes that just arrived today.

Top 5 New Releases:

1. Prisoner :: Ryan Adams

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Three-Sentence Review: I’ve spent some time with the singles that Ryan has released pre-album, and without exception, each song has been a “grower” to me, and the album, Prisoner, in its entirety, is no exception; it is a grower, too. The songs feel denser than previous Ryan songs, sonically complex , but with a lyrical distance that I’m not used to with his music – I feel as if I have to lean in closer, push repeat more often, and let these songs make their way in to me slowly. “To be Without You” is the most immediately accessible of the bunch, but the others are a bit more hard to get, though I do believe they are worth the time, the re-listens, and the “throw the album on, get in the car, and drive” effort taken to get this album under my skin.

Initial Favorite Track(s): “Do You Still Love Me?”, “To be Without You”, “Broken Anyway”, and “We Disappear”

Rating (1-5 Stars): 5

“To be Without You”

2. Fields of Love :: Mozart’s Sister

Mozart's Sister, music, albums, new release, new albums

Three-Sentence Review: Immediately reminiscent of Kate Bush, with perhaps a little Bjork and St. Vincent (sans guitar) thrown in to the mix. Mozart’s Sister’s Field of Love is electronically-infused indie pop with a very off-kilter edge, some that seems made for a crowded dance floor (see “Bump”), and some that feels set for a more isolated introspection (see “Baroque Baby”). Caila Thompson-Hannant brings something different to the pop-landscape of her second album under the “Mozart’s Sister” moniker -songs that are both catchy and different, and seem  ready made for remixing.

Initial Favorite Track(s): “Angel”, “Who are You”, and “Baroque Baby”

Rating (1-5 Stars): 5

“Angel”

3. “Always Sad” :: The Jesus & Mary Chain

The Jesus and Mary Chain, new singles, singles, music, new releases

Three-Sentence Review: This second pre-album released single (new album, Damage and Joy, out March 24) is even better than the last, and has me seriously anxious and excited for the album to finally arrive. I love the inclusion of Bernadette Denning in this track, it takes the song into a conversational place that works perfectly here, both melodically, and lyrically. The trademark jangly guitar and fuzz, along with the dueted voices, adds an interesting lightness to the sad of “Always Sad”, the mood juxtaposition (and the inclusion of a female vocalist) calls to mind “Sometimes Always”, JAMC’s earlier duet with Hope Sandoval, that also mixed up jangle-pop lightness with a sung story of melancholy.

Initial Favorite Track(s): N/A (single)

Rating (1-5 Stars): 5

“Always Sad”

4. Plural :: Electric Guest

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Three-Sentence Review: Electric Guest’s new album, Plural, combines electronica, funk, soul, pop and disco, elevating the tracks into something more palpable than straight to the floor dance music. There is songwriting here, a bit of humor (Asa Taccone is brothers with Jorma of Lonely Island, and has produced songs such as “Dick in a Box” in the past), and a complexity of melody, lyric and sound that begs for multiple listens. Some songs veer heavily into radio-friendly R&B (see “Back & Forth” and “Dear to Me”), but I prefer when they take an older soul sound and marry it with an indie pop sensibility the likes of MGMT and Bastille (see “See the Light” and “My Omen”).

Initial Favorite Track(s): “Zero”, “I See the Light” and “My Omen”

Rating (1-5 Stars): 4

“My Omen”

5. “Thick Girls Knock Me Out (Richard Starkey)” :: The Dandy Warhols

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Three-Sentence Review: Listen to that opening guitar – it is definitely the strongest part of this new single. As for the rest, there is something slightly off with the vocals to me, I’m not sure if it is the production, or tone, but it just does not connect with me the way I’d want it to. Musically, this is a hit to me, but the vocal arrangement and recording takes it too far away from what I know this band can do (think “Godless, or “Get Off”, or last year’s “All the Girls in London”). Maybe this is a turn up loud in the car and let it grow on me, too?

Initial Favorite Track(s): N/A (single)

Rating (1-5 Stars): 4

“Thick Girls Knock Me Out”

Published by

lyriquediscorde

Los Angeles writer, dreamer and gypsy soul who harbors an obsessive love of music and lyrics, and writes about them with passion and insight, as well as sometimes waxing poetic on books, films and travel.

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